Yanayin kabilanci a tarihin fashion

A halin yanzu, al'adun kabilanci yana da ban sha'awa sosai. Babu karbar samfurin, ba nuna hoto ba zai iya yin ba tare da abubuwa ko kayan haɗi ba. Kuma wane wuri ne al'adun kabilanci ke cikin tarihin fashion, inda ya fara, ta yaya yake yanzu?

Menene kabilanci a general? Tarihin fashion ba ya san wani asali, mai launi da ban mamaki. Wannan salon ya samo asali ne saboda ƙaddamar da ƙwayar hippies. Duk rayuwarsu, yanayin rayuwa a duniya, hanyar rayuwa ta saba wa dokoki da ka'idojin da aka yarda dasu akai-akai. A cikin shekaru goma sha biyar na karni na karshe, hippies ya juya daga matsayin Turai, kuma ya juya zuwa tarihin Afirka, Gabas ta Tsakiya da Tsakiya. A cikin rayuwa, ba wai kawai yanayin duniya ba ne, amma al'amuran kabilu na gargajiya a cikin tufafi, takalma, kayan haɗi sun haɗa. Tarihin fashion ya karbi sababbin abubuwa masu haske, rashin fahimtar al'adun gargajiya na Turai.

Rabi na biyu na cikin shekaru sittin an nuna shi ta hanyar bayyanar da karamin kaya. Babban takalma da aka haɗa tare da karamin mini, yin amfani da roba, kayan aikin wucin gadi sun kama duniya baki daya. Ya zama kamar cewa a cikin makomarmu kawai "salon yanayi" yana jiran mu, cewa ba za a sake komawa ga masu zaman kansu ba. Amma yana da kyau cewa duk ya faru da bambanci.

Hippies ba su canza kansu ba. Ga abubuwan da ke sha'awar wajan kaya, sunyi tsayayya da tsayin doki na kayan ado da na jeans. A lokacin da kowa yake sha'awar siffofin tufafi na geometric, matasa na yau da kullum sun zabi lambobi masu laushi, dalilan kabilanci.

Samun misali don bin mutanen Ancient East, hippies suna saye da tufafin da ba su haɓaka motsi. Daga cikin su, zamu iya bambanta riguna da riguna daga masana'antun suturar da ke dauke da kayan ado da 'yan kwalliya,' yan kabilar Indiya da kuma tufafi na 'yan kabilar Tibet. Babban darajar rayuwa shine jituwa tare da yanayin. Kuma aka bayyana a cikin komai, koda a tufafi. An sanya shi ne kawai daga kayan halitta, da mahimmanci - da hannayensu.

Yara furanni sunyi koyi da mutanen Gabas kawai. An kuma yi musu wahayi da tarihin Moroccan, Indiyawan Indiya, Gypsies. Shine hippies wanda aka sake buɗewa ga 'yan Indiya na Moccasins, na Mexican ponchos, da tufafi na Moroccan, da gypsy skirts, kayan da aka yi da beads, baubles, da sauransu.

Ta yaya babban fashion ya yi da sha'awar hippy? Ta yaya kabilanci ya shafi tarihin salon? Shekaru saba'in sun kasance shekaru masu wuya a tarihin fashion. Yawancin wannan lokacin yana cikin gaskiyar cewa yanayin da aka saba da shi ya kasance daga tituna har zuwa gagarumar yanayi, kuma ba haka ba. Masu yin layi tare da sunayen duniya sun jawo hankalin su a cikin labaran tituna. Wadannan litattafai sun ci gaba da inganta, sun juya cikin aikin fasaha.

Ɗaya daga cikin na farko ya juya zuwa tsarin tsarin Yves Saint Laurent. A shekara ta 1960, "budurwowi" sun zo ne a filin jirgin sama. Black turtlenecks, fata blousons. Wannan tarin ya haifar da zargi mai tsanani daga manyan al'umma, wasu masu zane-zane da kuma manema labaru. Yves Saint Laurent ya tilasta wa barin gidan gidan Dior, ko da yake a wannan lokacin ya jagoranci. Amma barin kawai ya ba 'yanci da' yancin kai. Kuma bayan ɗan lokaci, tarinsa da abubuwan da ke cikin kabilanci ya nuna godiya sosai.

A wannan lokacin, tufafi na hippie ya haifar da mummunan hali, mutane da dama sunyi la'akari da shi ba tare da dadi ba. Bayan Yves Saint Laurent ya kafa hannunsa a kan kabilanci, sai ta sami kyakkyawan salon salon salon salon. Ƙananan tufafin tufafin siliki da kayan gandun daji ga masu aristocrats sun bambanta da kayan aiki tare da alamu da aka haɗaka da hippies. Couturier a cikin ayyukansa ya yi amfani da al'adun gargajiya na Afirka, Peru, Ancient China, Morocco. Tufafi na wannan mashahurin ya zama sananne a cikin mutanen da ke da jihohi miliyan dubu.

Yanayin kabilanci a tarihi na fashion - babban fashion daga Yves Saint Laurent ya taka muhimmiyar rawa. An haɗu da tarin Afrika tare da hasken furanni da kayan kayan ado na musamman. Sun yi amfani da flax, itace, bambaro da gilashi. Tarin Sinanci ya cika da launuka masu ban sha'awa: ruwan hoda da orange, launin rawaya da m. Abubuwa masu ban sha'awa na duniyar. Tarin Indiya sun kawo iska mai ban mamaki. Amma bisa ga mafi kyawun couturier, mafi kyau shi ne rukunin Rasha. Rikicin Rasha a cikin fashion ba ya faru, amma sha'awar mutanen Turai zuwa duk abin da Rasha ta farka. Wannan salon ba ta rasa muhimmancinta har yau ba.

Yawancin al'adun gargajiya da tarihin da aka yi da al'adun gargajiyar kasar Japan sun fi rinjayi. Ya bambanta da al'adun da ya bambanta da nau'o'in da suka ji daɗi. Yana da ban sha'awa a hada hada-hadar kimono mai sauƙi da Scandinavian, Amurka ta Kudu, abubuwa na gabas. Yaren masana'anci na Japan a furen kusa da katangar Scotish, jaket na kasar Sin tare da tsayawar gilashi yana goyon bayan fararen furanni a cikin kasar. Kenzo yayi amfani da amfani da Mutanen Espanya bolero, fringe India, Rasha kosovorotki da Jawo huluna, Indiyajina na Indiya. Gwaje-gwajen da aka sanyawa a cikin kayan aiki ya haifar da haɗuwa da wasanni ko na al'ada da abubuwa na ethno.

Tarihin fashion ba zai yi ba tare da ambaci Jean-Paul Gaultier. Halin kabilanci yana tare da dukkanin tarinsa. Da yadda ethno ya shiga aikinsa a 1976, bai taba barin shi ba. Sami yana son yarinyar Gautier - yin amfani da abubuwa na kayan aiki na mutane daban-daban tare da haɗuwa da hanyoyi daban-daban. Inspiration couturier faɗo a tituna na birnin. Alal misali, bayan ganin Masallacin Hasidic, Jean-Paul ya kirkiro tarin "Rabbi-chic". Dalili shi ne sutura, tufafi masu duhu, da taya, ruffles da kuma "kip" caps. Amma al'adun Kudu maso Gabas ta Tsakiya sun karfafa halittar tarin "Tatu", wanda ya zama kyakkyawa ga tsarin matasa don shekaru goma. "Chips" na tarin - shinge, graffiti, kwaikwayo na jarfa. Ethnol ya kasance a cikin hotunan "The Great Journey", "The Mongols", "The Saga Afrika".